How SET is changing booking
A canonical page per artist, agency, festival and club — replacing the screenshot-of-a-screenshot of email-forwarded EPKs that defined the last 15 years.
Live count of the network · updated weekly
From 6-roster boutiques to 80-artist label hybrids. EU + global representation.
Browse agencies →Multi-day showcases across Europe. Lineups, day-by-day calendars, archive.
Browse festivals →Programming calendars, residents, room-by-room booking surface.
Browse clubs →Live countdowns to the next confirmed dates · today is 15 May 2026
12 acts across 8 cities, ranked by recent activity on SET
3 booking & management agencies on the network
Two active editions · ADE 2026 · Sónar 2027
Two venues with year-round programming on the network
Three pieces explaining why SET exists · drafts only
A canonical page per artist, agency, festival and club — replacing the screenshot-of-a-screenshot of email-forwarded EPKs that defined the last 15 years.
Why a 12-page PDF that's six months old is the worst possible artefact to send a booker — and what replaces it.
Why a Linktree was always the wrong shape for a booking page, and what an agency-grade canonical page looks like instead.
Filter the global network · 10 cities, 12 tenants across 3 continents
12 tenants across all cities
3 operator perspectives · anonymized while in discovery
Finally a system, not 200 PDFs lost in inboxes. The roster page updates itself when an artist drops a mix.
The multi-edition archive is what we've been looking for since 2019. Webflow dies the day after every festival.
25 years of programming scattered across Facebook. Having a real archive changes how we narrate the club.
Promoter, agency or label · push an event, drop, artist or club night
Push an artist, festival, club or event to 50K+ industry contacts every week. Editorial placement on public-home, weekly digest, custom drop email. Curated by the team — not algorithmic.